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JOSÉ MARÍA EGUREN AND THE MULTIDIMENSIONAL CONCEPTION OF POETRY

Original title: JOSÉ MARÍA EGUREN Y LA CONCEPCIÓN MULTIDIMENSIONAL DE LA POESÍA
*Corresponding author for this work
Research Output:
Contribution to journal
Article
Peer-review

Open access

Publication Information

Output type

Research Output:
Contribution to journal
Article
Peer-review

Original language

Spanish

Journal (Volume, Issue Number)

Metafora (Volume 5, Issue 10)

Publication milestones

  • Published - 11/03/2023

Publication status

Published - 11/03/2023

Publication IDs

  • Scopus: 85150490458

Abstract

During the first years of the 20th century, occurred the modernization of poetry in Peru. José María Eguren positioned himself as one of the most representative voices of that establishment. For this reason, in this article we will explore some key arguments which explain the Egurenian poetic modernization from the revision of the correspondence between a particular group of his poems and his prose, to identify, in the fictional and essayistic writings of the author, a conception of poetry that we will call multidimensional. It has, among its most important features, the configuration of a creative-intuitive ideal, the figuration of the feminine as a dialectizing agent and the aesthetic principles of movement and chromaticity.