MULTIDIMENSIONAL POETIC SUBJECT AND THE COLLECTIVE FORCE OF LANGUAGE IN THE POETRY OF ALEJANDRO ROMUALDO

The analyzed poetic texts will make it possible to identify key elements for understanding a particularly significant feature in the work of Alejandro Romualdo: the rich versatility with which the lyrical subject is configured and relates to the process of poetic creation. This versatility will be proposed in this paper as a manifestation of poetic multidimensionality, a notion that will be defined through the theoretical approaches of Gilles Deleuze, Jacques Derrida, Ramón Pérez, Dominique Combe and José María Pozuelo in order to highlight the aesthetic value of an author who managed to coherently integrate his social commitment with a conception of language in which both its logic and collective scope are decisive. In this regard, through the concept of poetic multidimensionality, we will explain how Romualdo’s various lyrical subjects not only name the world but also make it intervene in language through a form of writing that embodies or incarnates the visceral and everyday reality of human experience. Through this operation, Romualdo offers a poetic voice charged with collective meaning, establishing an artistic proposal whose ideological orientation is grounded in a communal vision of language.